{"id":327152,"date":"2017-11-28T14:00:00","date_gmt":"2017-11-28T13:00:00","guid":{"rendered":"http:\/\/hudo.com\/si\/2017\/11\/28\/ocenjujemo-kri-na-macjem-vratu\/"},"modified":"2017-11-28T14:00:00","modified_gmt":"2017-11-28T13:00:00","slug":"ocenjujemo-kri-na-macjem-vratu","status":"publish","type":"post","link":"https:\/\/hudo.com\/si\/aktualno\/ocenjujemo-kri-na-macjem-vratu\/","title":{"rendered":"Ocenjujemo: Kri na ma\u010djem vratu"},"content":{"rendered":"

Kategorija: Ocene Tue, 28 Nov 2017 15:00:00 +0100 Fassbinderjeva specifi\u010dna gradnja dogajanja na jezikovni ravni in filmska fragmentarnost z ostrimi rezi med hipnimi prizori na odru kaj hitro lahko delujeta togo in stati\u010dno, a je ustvarjalni ekipi to gmoto besednega gradiva uspelo narediti presenetljivo \u017eivo in meseno. K tak\u0161nemu u\u010dinku vodijo celostna usmeritev (re\u017ei\u00adserka Ivana Djilas), ki postavlja monolo\u0161ke izpovedi in kratke dialoge v scenski kontekst zabave, telesna razgibanost v dinami\u010dnih konstelacijah mno\u017eice (koreografinja Ma\u0161a Kagao Knez) in ubrana kolektivnost igralske ekipe. Kljub temu vsi drobci osebnih zgodb in njihovih trkov niso za\u017eiveli v trdno vpeti celoti; mnogi so uhajali logi\u010dnemu \u010dasovnemu narativu, v katerega jih je sku\u0161ala spraviti uprizoritvena zasnova, mestoma se je tej te\u017enji odpovedala tudi re\u017eija, ki je nihala med jasnim dogodkovnim okvirom in njegovim neutemeljenim razbitjem. Uprizoritev je zbujala predvsem vtis ukvarjanja z mo\u017enostjo scenske\u00a0…<\/p>\n","protected":false},"excerpt":{"rendered":"

Kategorija: Ocene Tue, 28 Nov 2017 15:00:00 +0100 Fassbinderjeva specifi\u010dna gradnja dogajanja na jezikovni ravni in filmska fragmentarnost z ostrimi rezi med hipnimi prizori na odru kaj hitro lahko delujeta togo in stati\u010dno, a je ustvarjalni ekipi to gmoto besednega gradiva uspelo narediti presenetljivo \u017eivo in meseno. K tak\u0161nemu u\u010dinku vodijo celostna usmeritev (re\u017ei\u00adserka Ivana Djilas), ki postavlja monolo\u0161ke izpovedi in kratke dialoge v scenski kontekst zabave, telesna razgibanost v dinami\u010dnih konstelacijah mno\u017eice (koreografinja Ma\u0161a Kagao Knez) in ubrana kolektivnost igralske ekipe. Kljub temu vsi drobci osebnih zgodb in njihovih trkov niso za\u017eiveli v trdno vpeti celoti; mnogi so uhajali logi\u010dnemu \u010dasovnemu narativu, v katerega jih je sku\u0161ala spraviti uprizoritvena zasnova, mestoma se je tej te\u017enji odpovedala tudi re\u017eija, ki je nihala med jasnim dogodkovnim okvirom in njegovim neutemeljenim razbitjem. Uprizoritev je zbujala predvsem vtis ukvarjanja z mo\u017enostjo scenske\u00a0…<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1179],"tags":[],"source":[1703],"supertag":[],"acf":[],"yoast_head":"\nOcenjujemo: Kri na ma\u010djem vratu - Hudo Slovenija<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/hudo.com\/si\/aktualno\/ocenjujemo-kri-na-macjem-vratu\/\" \/>\n<meta property=\"og:locale\" content=\"sl_SI\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ocenjujemo: Kri na ma\u010djem vratu - Hudo Slovenija\" \/>\n<meta property=\"og:description\" content=\"Kategorija: Ocene Tue, 28 Nov 2017 15:00:00 +0100 Fassbinderjeva specifi\u010dna gradnja dogajanja na jezikovni ravni in filmska fragmentarnost z ostrimi rezi med hipnimi prizori na odru kaj hitro lahko delujeta togo in stati\u010dno, a je ustvarjalni ekipi to gmoto besednega gradiva uspelo narediti presenetljivo \u017eivo in meseno. K tak\u0161nemu u\u010dinku vodijo celostna usmeritev (re\u017ei\u00adserka Ivana Djilas), ki postavlja monolo\u0161ke izpovedi in kratke dialoge v scenski kontekst zabave, telesna razgibanost v dinami\u010dnih konstelacijah mno\u017eice (koreografinja Ma\u0161a Kagao Knez) in ubrana kolektivnost igralske ekipe. Kljub temu vsi drobci osebnih zgodb in njihovih trkov niso za\u017eiveli v trdno vpeti celoti; mnogi so uhajali logi\u010dnemu \u010dasovnemu narativu, v katerega jih je sku\u0161ala spraviti uprizoritvena zasnova, mestoma se je tej te\u017enji odpovedala tudi re\u017eija, ki je nihala med jasnim dogodkovnim okvirom in njegovim neutemeljenim razbitjem. 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